Alasdair Fraser ▪ Bruce Molsky ▪ Darol Anger
▪ Deby Grosjean ▪ Laura Risk ▪ Janette Duncan
Conor Hearn ▪ Eamon Sefton
▪ Aria DiSalvio ▪ Erin Esses ▪ Joe
Allison de Groot
▪ Summer McCall
Fiddle classes are
scheduled in the morning and early
afternoon and allow participants to
study the various styles taught by
each instructor. All tunes are taught
by ear, and class divisions, ranging
from advanced to those who have never
played before, are based on students’ rate
of learning by ear.
is recognized throughout
the world as one of the finest fiddle
players Scotland has ever produced;
[his] name is synonymous with the
vibrant cultural renaissance which
is transforming the Scottish musical
Renowned performer and master teacher of the rich fiddling tradition of Scotland, Alasdair inspires us to higher and deeper levels of self-expression within an embracing community of listeners, learners and like-minded folk. The variety and expressivity
of Alasdair's playing is evident in
his numerous recordings—from intimate
fiddle/guitar duets, to a more contemporary
interpretation of tradition, to high
energy original tunes with his Skyedance
band. Recent, highly acclaimed albums
include "Legacy of the Scottish
Fiddle, Vols. 1 and 2," and "Fire
and Grace, " which was named Scots
Trad Album of the Year for 2004. In
Alasdair's class, you will learn a
variety of Scottish tune types and
how to use special bowings,
ornaments and a rhythmic drive to make
the tunes come alive.
Molsky: Grammy-nominated, and “one of America’s premier fiddling talents” (Mother Jones), Bruce's take on tradition has landed him in collaborations with some of the world's most highly respected players from roots to rock. He is a special guest on legend rocker Mark Knopfler’s
recent CD, “Tracker.” His "1865 Songs of Hope & Home" with Anonymous 4 was on Billboard’s top 10 for weeks; the third record with Andy Irvine & Donal Lunny’s supergroup Mozaik is in the works. You can see Bruce on the BBC TV "Transatlantic Sessions Videos" with Aly Bain and Jerry Douglas, and on “David Holt’s State of Music” airing nationally. His new trio, Molsky’s Mountain Drifters includes banjo virtuoso Allison de Groot and genre-defying Stash Wyslouch on guitar. Their self-titled CD has been released to great acclaim and the new one is the works. Berklee College of Music has made Bruce their Visiting Scholar in the American Roots Music Program where Bruce is the go-to guy for the next generation of roots musicians.
Darol Anger: Fiddler, composer, producer and educator, Darol Anger is at home in a number of musical genres, some of which he helped to invent. Exceptional among modern fiddlers for his versatility and depth, Anger has helped drive the evolution of the contemporary string band through his involvement with numerous pathbreaking ensembles such as his Republic Of Strings, the Turtle Island String Quartet, the David Grisman Quintet, Montreux, his Duo with Mike Marshall, and others. He has performed and taught all over the world with musicians such as Dr. Billy Taylor, Bela Fleck, Bill Evans, Edgar Meyer, Bill Frisell, David Grisman, Tony Rice, Tim O’Brien, The Anonymous 4, Marin Alsop and the Cabrillo Orchestra, the Detroit Symphony, Mark O’Connor, and Stephane Grappelli. Today Darol can be heard on NPR’s “Car Talk” theme every week, along with Earl Scruggs, David Grisman and Tony Rice. He was also the violinist on the phenomenally popular Sim City computer games. In addition to performing all over the world, he has recorded and produced scores of important recordings since 1977, is a MacDowell and UCross Fellow, and has received numerous composers’ residencies and grants. He has been a featured soloist on dozens of recordings and motion picture soundtracks. He is an Associate Professor at the Berklee School of music. He recently began an ambitious online Fiddle School at ArtistWorks.com. His website is www.darolanger.com
Katie McNally has made waves in both the American folk music scene and abroad since the release of her debut album, Flourish, in 2013. Her latest project synthesizes her elegant and powerful fiddle playing with the talents of genre-crossing pianist Neil Pearlman and bluegrass phenom Shauncey Ali on viola.
Recent covergirl for Fiddler Magazine, Katie has performed and taught fiddle courses in the U.S., Canada, Spain, Scotland, England, and France. In addition to her busy touring schedule, she is a devoted educator whose teaching style was molded by years of attendance at fiddle camps where learning music is about joy and community and fun! This is her approach whether working with her private students, in workshops, at fiddle camps, in musical outreach programs or at Boston’s Symphony Hall. Katie attended both The University of Glasgow and The National Piping Centre in Glasgow Scotland where she studied ancient and modern Scottish Literature and Scottish traditional music. Katie graduated Magna Cum Laude from Tufts University in 2012 with concentrations in Music, English and Child Development where she earned The Etta and Harry Winokur Award for Outstanding Contribution to Performance.
Laura Risk is a fiddler whose love of the music of Scotland, Ireland, Cape Breton and Quebec has led her into a rich journey of performing and teaching. Laura is known throughout the U.S. as an outstanding teacher, able to inspire students at any level. As evidenced in several highly praised albums, her playing is especially expressive and versatile, ranging from elegant music composed for 18th century Scottish drawing rooms to driving strathspeys and reels suitable for a Cape Breton dance floor. The eloquence of Laura’s fiddling is especially evident is her album of Scottish tunes, “2000 Miles,” To help fiddlers learn new tunes by ear, Laura has recorded two sets of CDs containing nearly 150 tunes from a variety of fiddle traditions, played slowly and at normal performance tempo.
combines the best of both the Celtic and classical music worlds in her playing and teaching. She’s experienced in teaching all levels and delights in exploring the adventures a new instrument brings for young beginners. Locally, she teaches with Community Music School and helped create Cabrillo Youth Music. Deby plays for several dance bands including Scottish Country “Reel of Seven”, with her local students Barn Dance “The Ginormous String Band” and Contra “Whoost”.
Deby’s film score credits include Ken Burns’ Not for Ourselves Alone. She records for Gourd Music and her own productions. Deby coaches dance combos in Canada, New Zealand and USA. Connection Magazine notes of her Beyond the Shore CD, “. . . will capture your heart and dance your feet.” She has published with Mel Bay and her own Fun Celtic Music Series with companion CD.
(BA, Music) has benefited from both classical violin training and a fiddling heritage. Her grandfather was a fiddler and her dad a guitar player. Janette’s own fiddling has been particularly influenced and inspired by Bengt Johnson and Alasdair Fraser. She has herself inspired a great many players through her performances—as a member of the Bi-Coastal International Dance Band, Dockside and other ensembles—and her teaching, including beginning string classes in schools, a community college course she teaches on “Celtic Session Tunes,” and private instruction at home in Sonoma County, California. Her students are encouraged to learn to read and write music but also play the fiddle by “ear and heart.”
Janette will teach the basic beginning fiddle class for adults who have little or no experience with the instrument.
is in the vanguard of young cellists pushing the envelope of the cello while simultaneously carrying it back into the fold of traditional Celtic music. She has graced the performances and recordings of many renowned fiddlers, particularly Alasdair Fraser, with whom she has been performing in the US and Europe for several years. Since she began teaching at Celtic Connections in Glasgow and VOM in 2002, various music camps and festivals have been eager to engage her. Her recent album with Alasdair, "Fire and Grace," was named Scots Trad Music Album of the Year for 2004. Natalie's powerful and rhythmic playing make it easy to understand why Alasdair says, "In18th century Scotland, the fiddle and cello were the dance band of choice." In Natalie's class you will learn bowing techniques, ornamentation, bass lines and rhythmic techniques to suit the style and mood of a variety of music, including the tunes the fiddlers are learning.
Aria DiSalvio loves performing with the Santa Cruz Symphony, her contemporary celtic trio One Lane Bridge, and virtuoso mandolinist Ashley Broder. She recently recorded with Irish singer Eilis Kennedy on the album Westward. Aria is thrilled to be returning as an instructor to Sierra Fiddle Camp after taking several years off to focus on raising her two children (now 3 and 8). She also teaches at the Community Music School of Santa Cruz's summer teen and kids camps, as well as giving private cello lessons.
Erin Esses hails from Southern California where she plays and teaches in a variety of different settings and styles. From Celtic to Bluegrass, Rock and Roll to Classical, and Folk to Funk, Erin enjoys it all. Classically trained, she is a graduate of UC Irvine, where she also began dabbling in all kinds of improvisation and playing well with others. She regularly provides live music while looping with her cello for yoga classes. Erin loves to travel with her carbon fiber cello and always looks forward to making it up to the Pacific Northwest. Don't be shocked to find Erin strapped in to her cello, walking around while playing. Erin is a member of the celtic, old-time cello duo Dusty Bows, and also plays and sings in the folky bluegrass band Gone Wayside.
Joe Mann grew up in Big Sur, CA and now calls Nevada City, CA home. He has played a variety of traditional folk music styles since he began playing the cello at age 10, including Scottish, Irish, Bluegrass and Appalachian Oldtime. In his younger years he also studied classical cello until turning his full focus to rhythm and folk styles as a teenager. A strong improviser, accompanist, and groove specialist, he is at home even in unusual musical settings. He has been singing and writing songs since age 11, and wrote and recorded over 20 original songs and tunes for his senior project in high school. Since then he has continued to hone these skills and is a nimble, honest, and engaging songwriter, performer and teacher as a result. His musical mentors and heros include cello greats Natalie Haas, Rushad Eggleston, Mike Block, Renata Bratt, and Tristan Clarridge, as well as blues legend Robert Johnson, and of course Jimi Hendrix.
Conor Hearn is a Celtic and jazz guitar player who grew up studying classical violin and playing traditional Irish music in the sessions of Baltimore, MD and Washington D.C. He currently makes his home in Boston, MA, lending his innovative rhythmic skills to the panoply of groups and projects that are taking shape in the Boston area folk music scene. He has established himself as a cutting-edge Scottish and Irish plaver over the past few years playing with groups like Soulsha, The Galen Fraser Quartet, and TriHearn. While finishing up his degrees in English Literature and Music at Tufts University, he recently began touring with The Mari Black Celtic Band and is leading the charge with his new band, Pumpkin Bread, the latest celtic-chamber-funk juggernaut to emerge from the hive of musicians at Tufts and The New England Conservatory.
Eamon Sefton is a sought-after Celtic-style guitarist from the Boston area. His percussive rhythm and clever use of harmony have made him an ideal guitarist for many traditional musicians around Boston. He cultivated much of his talent at the Boston Harbor Scottish Fiddle School, where he has become a regular guitar teacher. He spent several semesters at Berklee College of Music, where he greatly furthered his understanding of harmony and guitar technique. Most recently, Eamon has been performing with his bands Cat and the Moon, Fresh Haggis and the Bywater Band at places like Club Passim, the Beat Hotel, the Burren, and on WGBH’s A Celtic Sojourn.
combines love for old-time music, technical skill and a creative approach to the banjo forming her own sound – unique and full of personality. Although firmly rooted in old-time and music, she loves to collaborate and create outside this genre, pushing the boundaries of the clawhammer banjo.
Allison has toured all over the world with various groups, performing at venues such as Newport Folk Festival, Rockygrass, Hardly Strictly, Winnipeg Folk Festival and Tønder Festival. The music scene in her hometown of Winnipeg, Canada, immersion in Appalachian old-time communities, a performance degree at Berklee College of Music in Boston, and touring extensively throughout North America and Europe have all had a great impact on her playing. She is currently performing with Bruce Molsky's new project "Molsky's Mountain Drifters" and "The Goodbye Girls" and "Allison de Groot & Tatiana Hargreaves."
grew up in the Sierra Foothills of Northern California, where he began his musical education in both western classical music and american and scottish fiddle music. Kaden holds a Bachelor’s Degree in Mandolin Performance from Regis University in Denver Colorado, where he studied under 2016 National Mandolin Champion Jordan Ramsey. As a performer and composer, Kaden takes influence from the natural world and folk music from the Americas. As a teacher, Kaden’s approach incorporates a deep knowledge of mandolin technique and history, the music theory and musicology underlying american folk music, and empathy for students at any level of mandolin knowledge. Kaden currently works as a music teacher and performer based out of Portland Oregon. His interests include the intermingling of folk and art musics, juggling, and the unreasonably compelling nature of fiddle tunes.
Phil Jamison is a nationally-known dance caller, old-time musician, and flatfoot dancer. He has called dances, performed, and taught at music festivals and dance events throughout the U.S. and overseas since the early 1970s, including more than thirty-five years as a member of the Green Grass Cloggers. His flatfoot dancing was featured in the film, Songcatcher, for which he also served as Traditional Dance consultant. Over the last thirty years, Phil has done extensive research in the area of Appalachian dance, and his recently-published book Hoedowns, Reels, and Frolics: Roots and Branches of Southern Appalachian Dance (University of Illinois Press, 2015) tells the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia. Phil teaches mathematics as well as Appalachian music and dance at Warren Wilson College, in Asheville, North Carolina, where for twenty-five years he served as coordinator of the Old-Time Music and Dance Week at the Swannanoa Gathering.
Summer McCall: born and raised the Sierra Nevada mountains, Summer McCall began studying music and dance at the age of five. She has developed into an accomplished multi-instrumentalist and teacher focusing mainly on Celtic cello and fiddle. She has studied domestically and abroad at various music camps in the United States, Scotland and Spain with teachers such as Alasdair Fraser, Natalie Haas, Mike Block, Tristan Clarridge and Rushad Eggelston. Her love for dance has developed through a wide variety of styles such as ballet, modern, middle eastern, Irish and Scottish contra for nearly 20 year. It is with much joy and enthusiasm that Summer holds the position of the official night time dance caller at Alasdair Fraser’s Sierra Fiddle Camp as well as at other events and festivals throughout northern California.
Lissa Shneckenburger: When Schneckenburger sings—an enchanting mix of smoke, gravel & honey—you stop what you’re doing. The down beat slams your body as the lyrics ignite— diamonds in the snow, bright voices of love and loss—and then she brings each song to a boil, careening around each unexpected detail. The song ends before you’re ready, leaving you breathless with your heart pounding in your ears. You reach forward and hit repeat.
Cortese: Berklee College of Music graduate Laura Cortese's highly-visible work as a supporting musician (fiddle, vocals, and bass) includes appearances with Band of Horses, Pete Seeger, Rose Cousins, Uncle Earl and as part of Pete Seeger's 90th birthday celebration at Madison Square Garden. With seven studio albums to her credit, Laura's Compass Records debut, "California Calling," is the next step in her career as a fiddler, singer, frontwoman and songwriter. Her performances and recordings have garnered acclaim from BBC, fRoots, No Depression, the Boston Globe, the Denver Post, and the Bluegrass Situation, among others. Her band, the Dance Cards, has twice served as U.S. State Department cultural ambassadors, performing, presenting workshops, and collaborating with musicians in India, Kazakhstan, Uzbekistan, Bangladesh, Ukraine, Estonia, Montenegro and Greece.
Laura teaches fiddle and singing internationally at Newcastle University in England, and University of Limerick in Ireland and has given fiddle, song, and dance instruction at many summer fiddle camps, including Alasdair Fraser's Valley of the Moon Fiddle School, Mark O'Connor's Nashville Fiddle Camp, the Sierra Fiddle Camp, and Folkworks Youth Summer School in Newcastle, UK. Laura is also co-founder of the acclaimed Miles of Music Camp and BCMFest, a community festival organized by Boston-area musicians, singers and dancers.
Multi-instrumentalist, stepdancer and host of podcast TradCafe, Neil Pearlman is a vital and distinctive voice in contemporary traditional music. Described as “a tremendous pianist” on BBC Radio Scotland and “a force to be reckoned with” by WGBH’s Brian O’Donovan, Neil is recognized in many Celtic music circles for his unique approach to the piano. Rooted in traditional Cape Breton piano styles, he adds jazz harmony and the syncopations of funk, Cuban, and Brazilian dance music to create a unique and infectious sound. It was this innovative style that led legendary Cape Breton fiddler Jerry Holland to say “watching Neil’s hands on the piano was like watching two spiders on crack!”
Today Neil's musical projects run the gamut from deeply traditional to refreshingly contemporary. He collaborates regularly with fiddlers Katie McNally, Alden Robinson, Galen Fraser, and Ed Pearlman. He also performs with the larger Afro-Celtic Funk band Soulsha and the quartet Fàrsan, mixing Gaelic song, stepdance, fiddle and pipes.
grew up in the foothills of Northern California, where he learned his love for fiddle music from his musical family. At a young age, he began playing yearly with the San Francisco Scottish Fiddlers and accompanied them on many tours in California, Alaska and the Pacific Northwest. After high school, Galen attended the Berklee College of Music and in 2013 was a winner in the Songs For Social Change competition. Galen now lives joyously in Boston, Massachusetts where he plays with many musicians and bands as well as his own Galen Fraser Trio. Galen's much anticipated debut solo album will be released in Spring 2016.
Piper & Bard
- piper, fiddler, good-time instigator, party-stirrir-upper - and bard. He throws himself wildly into a number of artistic forms, including music, acting, and poetry. Originally from beautiful Ashland, Oregon, he graduated from Middlebury College in 2013 with an honors degree in music. He also spent significant time there doing environmental studies and theatre. While in Vermont he was winner of the Young Adult category at the Vermont Young Tradition Competition 2013 singing and playing border pipes.